Q. (In French)? A. (In French). Q. (In French)? A. (In French). Q. (In French)? A. (In French). Q. (In French)? A. (In French).
Q. This is a question for Jan Archibald. Congratulations. There are a few of you ladies working in France on the film. How did it work? A. It worked very well. Every job is the same and we got along well. We were a good team. We came together, and sometimes the language was a bit of a barrier, and my French is very poor, but we communicated with one another. And it was a challenge and a wonderful challenge.
Q. Hello. Congratulations. I want to know exactly how much convincing it took to ask Marion Cotillard to shave her eyebrows. A. She shaved her eyebrows and hairline going back a couple of inches and she was um, it wasn't a problem. She was out free and wanted to look as good as possible, and there was no problem. And it was discussed and we just did it. Q. And whose suggestion was it? Yours? A. Yes. There was a collaboration. You discuss the look and how to achieve it before you discuss it with the actress. So it was a kind of an obvious thing to do, to shave the eyebrows and also take the hairline back. So it's just part of the job.
Q. Thank you. Congratulations. A. Thank you.
Oh, no. Happy birthday, man. I have an American agent who is the spitting image of this. Really truly the same shape head and, it has to be said, the buttocks.
And I'm giving this to him because there's no way I would be in America at all ever on a plane, if it wasn't for him. So, Brian Swardstrom, I'm giving this to you. And Tony Gilroy walks on water, it's entirely official as far as I'm concerned, and Jen Fox and Steve Samuels, our incredible producers.
And Sydney Pollack, and George Clooney, you know, the seriousness and the dedication to your art, seeing you climb into that rubber bat suit from "Batman & Robin," the one with the nipples, every morning under your costume, on the set, off the set, hanging upside-down at lunch, you rock, man.
Thank you, thank you, thank you
Thank you, thank you very much. I don't really speak English. I'm very bad student. I can say I'm very happy and I want to thank my producer Fabrice Goldstein and Antoine Rein and my wife Gaby and my son Sebastien. And merci beaucoups& [speaking French] &Merci au revoir.
Wow. Alright, this is very amazing. It's a great honor for me to have this. I want to& I have to speak fast here, man. Thank you to the Coens for being crazy enough to think that I could do that and put one of the most horrible haircuts in history over my head.
Thank you for really proving my work. I want to share this with the cast, with the great Tommy Lee Jones, with the great Josh Brolin, with the great Kelly MacDonald. And I want to dedicate this to my mother, and I have to say this in Spanish, and I'm sorry...
Mama esto es para ti. Esto es para tus abuelos, para tus padres, Rafael y Matilde. Esto es para los comicos de Espana que han traido la dignidad y el orgullo a nuestro oficio.
Esto es para Espana. Y esto es para todos vosotros.
Thank you very much!
Suzie Templeton: This is for everyone. This for our fantastic crew and this for everybody who worked so passionately on our film to make our dream come true.
Hugh Welchman: Yeah, no this really is a fairy tale ending for us, but hopefully it's only the beginning for Peter and this amazing award, and it will help keep Prokofiev's "Peter and the Wolf" in the hearts and minds of children all over the world. So, the Academy, thank you so much. it's been amazing.