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Core Country Builders and Founders Named to Canadian Country Music Hall Print E-mail
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Written by Shawnee Penkacik   

Core Country Builders and Founders Named to Canadian Country Music Hall “Virtual” Hall of Fame Launches at www.ccma.org

Nashville, Tenn – (July 30, 2007) The Canadian Country Music Association (CCMA) has announced the 2007 Canadian Country Music Hall of Fame inductees to be honored this September during Canadian Country Music Week. The Association also unveiled a virtual Hall of Fame at www.ccma.org/hof. For the first time, industry, media and country fans, will have access to a single source detailing the background of all country music inductees since the process began.

The 2007 inductees to the Canadian Country Music Hall of Fame are: Artist John Allan Cameron, past CCMA Executive Director Sheila Hamilton in the Builder category, and Broadcaster Cliff Dumas. All of the inductions, and additional presentations of Awards of Achievement, will take place during Canadian Country Music Week September 7 - 10 in Regina, Saskatchewan. The launching of the Canadian Country Music Association’s Country Music Hall of Fame website, fulfills a long time development plan by the Association. The site provides historical backgrounders, biographies and visuals for each CCMA inducted Hall of Fame member.

For the first time, the history of these inductees will not only be instantly accessible to Canadian industry and fans, but to the world. Country Music Week’s four day conference in September will close with the 2007 Canadian Country Music Association Awards Monday, September 10 at Brandt Centre. The Awards will air across Canada at 8pm (9pm AST & 9:30pm NF) on CBC Television, with encore airings on CMT Canada. The Awards will also be broadcast in the U.S. on television network Great American Country (GAC) and in Australia on Country Music Channel (CMC). 2007 Country Music Hall of Fame Inductee Background Induction into the Canadian Country Music Hall of Fame recognizes long-term contribution to the growth and development of Canadian country music. The recipient may be living or deceased but is recognized based on his/her achievements as a Canadian in the country music industry in one of three categories, Artist, Builder, or Broadcaster.

Inductee: John Allan Cameron, Artist John Allan Cameron introduced a brand of what would become known as Cape Breton music in the 1960s when he started picking traditional Scottish pipe tunes on twelve-string guitar. In 2003, John was inducted into the Order of Canada in recognition of his efforts for over 30 years in establishing and growing the wonderful Celtic music scene in Canada. Born in Cape Breton to a very musical family, John Allan Cameron was known as the Godfather of Celtic music in Canada, a mantle he wore with easy grace. He brought Celtic music to the masses, and blazed a trail of success for other East Coast artists to follow. Canadians enjoyed the nationally televised John Allan Cameron Show between 1975 and 1981. His lifetime of music and commitment to the arts render him a national treasure, and before his death in 2006, John Allan Cameron had toured the world and released more than ten albums in a career that spanned over thirty years. Inductee: Sheila Hamilton, Builder The past Executive Director of the CCMA, Sheila Hamilton spent most of her career with the Association.

She began her relationship with country music in 1975 as Traffic Manager of CFGM, then a powerful radio station serving the country music market in southern Ontario, and was soon made Assistant Producer of Opry North, a popular syndicated radio show organized by CFGM. In 1977 Sheila began to work with the CCMA, handling public relations, maintaining membership lists, and working in other administrative areas. Between 1980 and 1988 Sheila maintained her part time position, in addition to working with three major advertising agencies in print and broadcast production. In 1988, she took on the role of assistant to Jack Feeney, Executive Director of the CCMA, and a year later stepped into the role when Jack retired. During her time with the Canadian Country Music Association, Sheila participated in lobbying efforts with various levels of government, developed significant relationships with country music organizations in Nashville and Europe, and was key to much of the planning, execution and growth of the Association’s annual convention Country Music Week. Sheila retired from the CCMA in 2005 but remains connected through her participation on national committees. Inductee: Cliff Dumas, Broadcaster Cliff Dumas has spent most of his working life in the country music industry. Cliff has amassed an incredible list of accolades including being named in 1990 by the CMA in Nashville, Radio Personality of the Year in all markets. He has been named Country Radio Personality of the Year by the Canadian Country Music Association (CCMA), RPM Big Country Awards, and The Record for 18 years consecutively, and along with his wife Lisa, they were named Radio Personalities of the Year when they co-hosted the nationally syndicated program Canadian Country Countdown. In addition to his work with radio, Dumas has been “the voice” of CMT Canada for close to 15 years, wrote for the CCMA Awards show for 14 years, producing 4 of those years, and was “the voice” for 17 years. Cliff was part of the team that launched Toronto’s first Country FM station and has written over 20 network country TV programs including specials for Terri Clark, Paul Brandt and Anne Murray along with various projects for CMT and PBS. For details about Canadian Country Music Week and the Canadian Country Music Association Awards, visit www.ccma.org The 2007 Canadian Country Music Association Awards Nominees will be announced August 1st at press conferences in Regina and Toronto. Tickets to the award show can be purchased through www.ticketmaster.ca or by calling 1-800-979-7328. -

 
NEW ARTIST SPOTLIGHT: Stephen Cochran Print E-mail
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Written by Kristen Scherer   

By Kristen Scherer

© 2007 CMA Close Up News Service / Country Music Association, Inc.

Family tradition and true-to-life stories have been at the heart of great Country Music, and with his self-titled debut album, Stephen Cochran brings them together in 13 Country songs that seamlessly blend the old and the new.

Born in Pikeville, Ky., and raised in the heart of Nashville’s creative community, Cochran watched his Dad, Steve Cochran, wrestle with Music Row’s starmaking machinery as a struggling songwriter and artist.

“That was my school, coming home and watching Dad practice and play and write,” Cochran said. “There’s a song on the album called ‘Old School’ that says, ‘I remember what Daddy told me, you’ve got to play it how it feels and just always keep it real.’”

Cochran had just commited himself to the music business when history postponed his fledgling career on Sept. 11, 2001. He joined the Marines light armored reconnaissance division and served two tours of duty in Iraq and Afghanistan, losing a dear friend to enemy fire and breaking his back in the process.

Dedicating his recovery time to his deferred music dreams, Cochran soon ammassed the catalog of songs that would attract the attention of Aria/Quarterback Records Nashville, who will release the singer/songwriter’s self-titled debut album, featuring three Cochran originals, on Aug. 28.  The leadoff single “Friday Night Fireside” was written by Butter, Scott Harris, Vencent Hickerson and Isaac Rich (brother of Big & Rich’s John Rich).

IN HIS OWN WORDS:

Who is your musical hero?

“Elvis Presley.”

Which song would you secretly like to cover?

“Tracy Lawrence’s ‘Find Out Who Your Friends Are.’ I love that song.”

What CD is on your stereo?

“Waylon Jennings with Willie Nelson, If I Can Find a Clean Shirt.”

What do you sing in the shower?

“‘Lonesome Dove’ by Garth Brooks.”

What moment in your life would you relive if you could?

“May 7, 2004, the night that my friend, Ron Payne, was killed in enemy

fire in Afghanistan.”

Which mode of transportation do you prefer — planes, trains or automobiles?

“Planes, only because I tend to be impatient.”

On the Web: www.stephencochran.com
 
TV Talent Contests Help Launch Country Acts Print E-mail
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Written by Deborah Evans Price   

By Deborah Evans Price

© 2007 CMA Close Up News Service / Country Music Association, Inc.

One has to look no farther than the recent success of “American Idol” alumnae and labelmates Kellie Pickler (19 Recordings/BNA Records) and Carrie Underwood (19 Recordings/Arista) to document the impact talent competitions provide in launching new artists. However, FOX-TV’s “American Idol” isn’t the only such vehicle to jump start aspiring Country Music artists.

Competitions have long provided a talent pool for A&R executives at Country record labels. Sawyer Brown made its bow on CBS-TV’s “Star Search” back in 1983 and became the first winner of the nationally televised show.

Brad Cotter, George Canyon, Buddy Jewell, Erika Jo, Miranda Lambert, John Arthur Martinez, Chris Young and newcomers Angela Hacker, Jason Meadows and Lance Miller are among the artists who got their start on Music Row via USA Network’s “Nashville Star.” In addition to those artists, Lyric Street Records’ Bucky Covington and Josh Gracin both gained a national audience via “American Idol.”

LeAnn Rimes hosted the 25th anniversary of the Colgate Country Showdown as North Carolina native Megan Peeler walked away with the $100,000 prize. The televised one-hour special was syndicated nationwide by MG Perin, Inc., and also aired on GAC (Great American Country). Throughout the contest’s 25-year history, Garth Brooks, Tracy Byrd, Billy Ray Cyrus, Sara Evans, Brad Paisley, Martina McBride, Tim McGraw and Neal McCoy are some of the artists who won the competition at either the state or local level.

“It meant everything in getting jump started that fast,” Sawyer Brown frontman Mark Miller recalled of the group’s “Star Search” experience, which fans still remember as the band’s springboard. “The TV show made such a big splash, especially back then for Country Music. Our first two albums went Gold and Platinum. Back in ’85 for a Country act to sell 100,000 units was a big deal and we sold 250,000 albums the first couple of weeks, if I remember correctly.”

Sawyer Brown still records for Curb Records and, in addition to his work with the band, Miller has several other endeavors. He owns Beach Street Records, a Christian label that is home to the Platinum-selling band Casting Crowns. He also produces other artists, among them Covington, who placed eighth on “American Idol” during its fifth season.

“He has a cool, cool sounding voice,” Miller said. “I discovered Bucky because my son was his biggest fan. Literally, when Bucky got voted off, my son Gunnar made me call him. He said, ‘Daddy you have to help him.’ That’s literally the way the whole thing began.”

Needless to say, Covington was pleasantly surprised when he got the call from Miller. “The day after I got voted off the show, Mark Miller called my hometown newspaper and got my phone number and called me up,” said Covington, still sounding somewhat incredulous at his good fortune.

Miller and his son weren’t the only ones taking notice of Bucky, which made things easier when Miller began looking for a label deal for Covington. “I really didn’t have to shop him around,” Miller said. “I knew Doug [Howard] and Randy [Goodman] at Lyric Street. I literally just made a phone call and they pretty much said ‘yes.’ Doug had seen Bucky throughout the show and was a fan.”

Sawyer Brown has taken Covington out on the road, and Miller said he’s seen first hand the recognition generated by the “American Idol” phenomenon. “It is mind boggling how many people saw that show,” Miller said. “When we bring him out on stage, we don’t even have to introduce him. They see that long blond hair and they start going nuts. They know exactly who it is.”

Lyric Street Records President Randy Goodman is not surprised. “We’ve always known the power of network television,” he said. “You’d have to be a monk to not know the impact ‘American Idol’ is having on the general population.”

Goodman said “American Idol” exposure helps acts break more quickly. “With somebody like Carrie Underwood and Josh and Bucky, you’ve got acts that are already branded to a certain degree. Radio stations know who Bucky is or Kellie Pickler is or who Josh is, and they definitely know who Carrie Underwood is. So, you’ve got a built in awareness and that awareness creates interest. Radio is always going to be the primary way that I sell records and that I alert and activate the audience, but ‘American Idol’ has created an instant recognition and awareness.”

Covington said “American Idol” exposure definitely helps put a new artist on the fast track. “One of the toughest things for a new artist is you have to put out three to four good songs before people know who you are,” he said. “The greatest thing about the show is you’ve got fans before you put the single out. That’s a great head start.”

Goodman said that Covington getting to work with Miller is a major plus for the new artist because he understands what it’s like to gain acclaim from a talent competition. “He went through that process,” Goodman said. “What’s great about Mark as a mentor is he came from a contest show. He won it. He understands that immediate love that everybody pours on you, but he also understands that to build a long term career, you have to take that foundation, that kind of branding, and build on top of that with great, great songs. Mark and Sawyer Brown did that and Mark has proven to be an extraordinary businessman. There is not a better person than Mark that Bucky could be working with.”

Covington’s labelmate Gracin said talent contests are a great way for aspiring acts to break into the business.

“I tried to get into Country Music a long time before the show,” Gracin said. “I recorded a CD and tried to plug it and get things going. It never worked. So I took a step back from music and went into the Marine Corps. Then the show came up and I thought that would be a pretty cool way to get my foot in Country Music. I tried it and I got a spot on the show. It’s done wonders for me.” Gracin has scored a Gold album, a No. 1 single and two Top 5 singles.

“American Idol” exposure helped make Pickler’s debut album, Small Town Girl, a tremendous success. Like Gracin, she’s grateful to have had “Idol” as a launch pad.

“Everyone watches it and they get to be a part of our success,” she said. “They pick the winner and they get to watch you grow from the very beginning of a career, all the way to the top. And they support you afterwards, buying your albums and coming to your concerts.”

Though “American Idol’s” TV exposure provides that competition with tremendous visibility, the longest running Country talent competition — and the one that has launched some of the most successful artists — is the Colgate Country Showdown. It is produced by Special Promotions, Inc., which partners with 470 radio stations across the country. In 2006, the Showdown sponsored more than 550 live shows, exposing lots of new talent. Launched in 1982, Wrangler was the original sponsor of the event.

Over the years Coca Cola, Jimmy Dean, Dodge, GMC and True Value have served as title sponsors, but the one constant throughout the years has been Dean Unkefer, who spearheads the Showdown.

“Through production manuals and media coordination, we assist radio stations and fairs in their promotion of the Showdown,” Unkefer said. “It’s synergy. We all take pride in it and there’s a place for everyone on this program.”

Unkefer loves helping aspiring acts be seen and heard. “The most important thing in the Showdown is not winning or losing but having the opportunity to perform in front of live audiences and help contestants be exposed to industry professionals,” he said.

Such exposure can have longterm effects. Troy Gentry won the Jim Beam Talent Contest in 1994 as a solo act, before teaming with Eddie Montgomery to form Montgomery Gentry on Columbia Records. Jim Beam supported his burgeoning career and continues to do so by sponsoring Montgomery Gentry.

“They kept up with what was going on with my solo career and tried to help me out,” Gentry said. “Then Eddie and I got put together and the people who were involved in the Jim Beam contest contacted our management company to see if we could hook up for a sponsorship.”

Gentry encourages other aspiring artists to try the competition route. “I think the winning of the contest was encouragement for me to keep on playing, which led to Eddie and I getting back together to form Montgomery Gentry.”

Though there can sometimes be a stigma associated with being a talent contest winner, those who have used it as a portal to the music industry don’t regret it.

“If this is bad, I’ve got it good,” Pickler laughed. “At the end of the day, regardless of how you make it, you’ve made it. I can only thank ‘American Idol’ for the exposure they’ve given me in launching my career.”

Gracin is also proud of his ‘Idol’ past. “It will always be a part of where I came from and what I’ve done,” Gracin said. “I never try to downplay that at all because without it, I wouldn’t be where I’m at. It’s been very instrumental in everything.”

On the Web: www.americanidol.com; www.countryshowdown.com; www.usanetwork.com/series/nashvillestar
 
LOOKADOO “CHATS” WITH RECORD BREAKING SUMMER AUDIENCES Print E-mail
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Written by Jackie Monaghan   

New Book Set For Fall Continues The Impact Of Top Selling Author With Youth

 

(Nashville, Tennessee) –July 31, 2007 – It’s been a record breaking summer for Christian author-youth speaker extraordinaire Justin Lookadoo who has a new book Chat Room Chatter coming in September—this the follow-up to his most recent best seller "97" (Revell).

 

Speaking in front of attendance setting crowds this past weekend at the Creation West Festival in Gorge, Washington, Lookadoo’s leap to the mainstream stage in front of massive crowds of youthful concert goers is a short hop for the lanky 6’7” literary legend.

 

Lookadoo is a former Youth Probation Officer from the Texas Correctional System who stepped out of the system for a more non-conventional role of spiked hair pied piper with a profound message that reaches kids with the positive. this summer  as a keynote speaker at both Creation West—and earlier this summer for the Creation East Festival presentation in Pennsylvania, he found himself in two appearances alone before a a total, of more than 170,000 young people. His favorite crowd.

 

“I spoke twice at Creation East—once to a crowd of more than 20,000—the other on the mainstage in front of 65,000.  One of the things I do is stand up and ask someone in the audience to come take a free $20.00 bill that I offer—and invariably there’s always a hesitation time—people don’t trust a free gift—much like the gift Jesus offers. It proves a huge point visually and kids are all about the visual and the authentic. My commitment time is not the typical altar call—we do a wave like you would see at a ballgame.  Kids just ride the wave to the edge of the stage into the prayer tent—where I meet with them—it’s a powerful time.”

 

Lookadoo’s new book, soon to unveil, is the culmination of more than six years of inspiration and research.  “It’s compiled from the key questions I get asked over and over in my speaking engagements when I have inter-active lines open for kids to get real with the issues they’re facing.  Whether they write them on scraps of paper and pass them up to me—like you’ll see in the new book—or just get the courage to come out in front of the crowd with their problems—this book was written to answer the real questions kids are asking.  It’s a read parents shouldn’t miss.”

 

Looking ahead to ’08, Lookadoo will creatively re-enter  and re-invent his atmosphere with a series of Dateable Conferences—birthed from his best-selling book Dateable which has now become a major success franchise in Christian book circles.  Complete with costume changes and a full multi-media presentation, it will continue with high school and college crowds the ever growing, always madcap "live experience" that can only be described as "Lookadoo."

 

Resource Justin Lookadoo online at:

www.lookadoo.com

 
“The Word Is Out” On The Quicks’ New Release! Print E-mail
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Written by Chris D. Unthank   


SMYRNA, Tenn. – The word is out about this talented family that calls Nashville home, and the word is out about their exciting new recording which released July 12, 2007, entitled just that – The Word Is Out.

“It has been an incredible journey since we began this new album sixteen months ago!  With the group becoming a trio of Tim, Rebecca, and myself, we were so anxious to walk into this new season of our ministry as well as take the path of creating our own sound.  We wanted music that was foundationally Southern Gospel, which is our heritage and passion, but also a sound that was identifiably ‘Quick.’  I believe we have done just that with The Word Is Out,” says group mom Sally Quick. 

The new album features six original tunes from the pen of Sally along with three more co-written by her and award-winning singer/songwriter Daryl Williams.  The new recording also features songs penned by Bill Gaither and J.D. Sumner. 

The Word Is Out
was produced by Tommy Cooper and co-produced by Sally Quick and Rebecca Quick.  Tracks were recorded at Hilltop Studios in Nashville, Tennessee, and vocals were recorded at AFAB Studios, also in Nashville, Tennessee. 

This is the third time The Quicks have teamed up with producer Tommy Cooper.  His adventurous spirit and the creative energy of this family have combined to bring an exciting new CD with something for everybody!   Crowds are loving this collection of songs from the big band arrangement of the Gaither tune, “If it Keeps Getting’ Better” to the gritty new single, “The Word is Out,” the title cut co-written by Sally and Daryl.  This fun radio single release is currently being promoted by the Rick Hendrix Company.

 The Word Is Out
features some of the industry’s leading session players, such as Jason Webb, Garth Justice, Mike Severs, Duncan Mullins, and more.  Milton Smith orchestrated the album, and brass was played by Bones Over Bellevue, Brad Stauffer, and Marty Breger.

The songs, the sound, the season – meet Tim, Sally, and Rebecca – The Quicks.
 
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